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[2016]
2017 OSCAR 89th Academy Awards -Filem gay (homoseksual) menang best picture Emm
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dauswq replied at 1-2-2017 05:34 PM
Confessions of an Oscar Voter: ‘La La Land’ Is Overrated and No More Meryl Streep! An anonymous Os ...
Mamat ni menagih attention sgt sbb voters lain x bersependapat dgn ko. Ada pilihan dia yg aku suka tp perlu ke nk meratib mcm ni. |
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tp dia agree emma stone adorable dan much better dr portman 
antara huppert dan emma , mgkn dia akn pilih emma gak akhirnya 
klu viola lawan dlm best actress category, mgkn dia letak viola on the top
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how i wish to become one of oscar voters
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bg aku, hell or high water remind mcm no country for old men..
but definitely no country for old men lagi much better.. |
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dauswq replied at 1-2-2017 06:10 PM
tp dia agree emma stone adorable dan much better dr portman
antara huppert dan emma , mgkn dia ...
Kecewa benor dia acik Viola masuk category supporting. |
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Kat mana u download Fences ?
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aku tak download
tgk kt 123.movies jek
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damien chazelle menang DGA..
ade peluang besar menang best director oscar nnt.. 
Winners of the 69th Annual DGA AwardsThe winners of the Directors Guild of America Outstanding Directorial Achievement Awards for 2016 were announced on Saturday during the 69th Annual DGA Awards at the Beverly Hilton in Beverly Hills. Damien Chazelle won the DGA’s Award for Outstanding Directorial Achievement in Feature Film for La La Land.
Actor Jane Lynch hosted the ceremony before an audience of more than 1,200 guests. Presenters included (in alphabetical order): Amy Adams, Michael Apted, Casey Affleck, Paris Barclay, Martha Coolidge, Laverne Cox, Billy Crudup, Michael Fassbender, America Ferrera, Cuba Gooding Jr., Ryan Gosling, Taylor Hackford, Tony Hale, Alex R. Hibbert, Gale Anne Hurd, Alejandro G. Iñárritu, Nicole Kidman, Christine Lahti, Helen Mirren, Mandy Moore, Kevin Nealon, Christopher Nolan, Sarah Paulson, Gene Reynolds, Trevante Rhodes, Ashton Sanders, John Singleton, Emma Stone, Milo Ventimiglia, and Kerry Washington.
You can view the full list on nominees for the 69th Annual DGA Awards by clicking here.
69TH ANNUAL DGA AWARDS WINNERS
Outstanding Directorial Achievement in Feature Film
DAMIEN CHAZELLE
La La Land
(Lionsgate)
Mr. Chazelle’s Directorial Team:
Unit Production Manager: Michael Beugg
First Assistant Director: Peter Kohn
Second Assistant Director: Paula Case
Assistant Unit Production Manager: Bart Lipton
Second Second Assistant Director: Brett Robinson
Additional Second Assistant Director: Dodi Rubenstein
This was Mr. Chazelle’s first DGA Award nomination.
Outstanding Directorial Achievement in First-Time Feature Film
GARTH DAVIS
Lion
(The Weinstein Company)
Mr. Davis’s Directorial Team:
Production Managers: Rajeev Mehra, Rakesh Singh (India Unit)
First Assistant Director: Chris Webb
First Assistant Director: Ananya Rane (India Unit)
Second Assistant Directors: Mark Ingram (Australia Unit), Sunny Tiku (India Unit), KP Singh (India Unit), Shaunak Kapur (India Unit)
This was one of two DGA Award nominations this year for Mr. Davis. He is also nominated in the Feature Film category for Lion. He was previously nominated for the DGA Award for Outstanding Directorial Achievement in Commercials in 2009 for “Shadow Puppets,” U.S. Cellular.
Read more at http://www.comingsoon.net/movies ... FGJupdJzJmKgiXAZ.99
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la la land (check) :
PGA win - best picture
DGA win - damien chazelle
SAG win for Best Actress - emma stone
tunggu WGA dan ASC..
dan juga BAFTA..
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thn lepas:
PGA - Big Short (tp Spotlight menang)
DGA - Revenant - alejandro g innaritu (sama dgn oscar)
SAG - Leornado Dcaprrio & Brie Larson (sama dgn oscar)
WGA - Spotlight & Big Short (sama dgn oscar)
2 thn sebelumnya:
PGA - Birdman (sama dgn oscar)
DGA - Birdman - alejandro g innaritu (sama dgn oscar)
SAG - eddie raymane & julianne moore (sama dgn oscar)
WGA - Grand Budapest Hotel & Imitation Game (oscar: birdman & Imitation game) |
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Is Denzel Washington on his way to a third Oscar?
Denzel Washington takes home a SAG Award for his part in "Fences." (Al Seib / Los Angeles Times)
Glenn WhippContact Reporter
Is Denzel Washington now the front-runner for the lead actor Oscar? Should actors use their platforms to espouse their political views? And could Isabelle Huppert pull off a surprise Oscar win for lead actress?
Welcome to the Gold Standard, the newsletter from the Los Angeles Times that helps guide you through the ins and outs of the awards season leading up to the Oscars.
I'm Glenn Whipp, The Times’ awards columnist and your newsletter host.
Casey Affleck had won countless critics prizes, along with a Golden Globe, for his aching, inward turn in “Manchester by the Sea,” making him the default favorite in the lead actor Oscar race.
Then at the SAG Awards, Denzel Washington took the lead actor prize for his towering, dialogue-devouring turn in "Fences” and, suddenly, the contest for that particular Oscar is up for grabs.
As I noted in my SAG Awards wrap and analysis, the last 12 actors to win SAG’s lead honor went on to take the Oscar. (The exception: Johnny Depp for the original “Pirates of the Caribbean” movie. Sean Penn won the Oscar for “Mystic River.”) It’s hard to argue against that kind of a streak, particularly when Washington’s showy performance (perfectly in step with the outsized character he's playing) is the kind of a turn that wins Oscars. (Hoo-ah!)
Other SAG Awards takeaways: Viola Davis (“Fences”) remains an Oscar lock, and Emma Stone (“La La Land”) and Mahershala Ali (“Moonlight”) aren’t too far behind. On the television side, first-year series “The Crown” and “Stranger Things” received early boosts heading into this year’s Emmys.
You can find complete Times’ coverage of the SAG Awards here, including backstage photos, interviews from the red carpet and press room reports.
The cast of "Stranger Things" is shown at the 2017 SAG Awards. (Robert Gauthier / Los Angeles Times)
THE POLITICAL SIDE OF AWARDS SEASON
Anyone tuning in to the SAG Awards on Sunday thinking they might be escaping news headlines for a couple of hours was quickly disabused of that notion as winner after winner used the platform to speak out against President Trump’s immigration ban.
“This immigrant ban is a blemish and is un-American,” said “Veep’s” Julia Louis-Dreyfus, the evening’s first award recipient, getting the ball rolling.
Just about every SAG Awards winner had something to say, with the peak performance belonging to “Stranger Things” cast member David Harbour, who delivered a fiery, three-minute speech, ably assisted by co-star Winona Ryder's grab bag of facial expressions.
Was it too much politics? I certainly heard from readers who thought so. Times film writer Josh Rottenberg and I wrote an article about this very thing, the tricky place A-listers find themselves in when it comes to talking about Trump. You can read that piece here.
Isabelle Huppert has been nominated for an Oscar for her role in "Elle." (Liz O. Baylen / Los Angeles Times)
ISABELLE HUPPERT FINALLY RECEIVES HER OSCAR CLOSE-UP
You can’t say we haven’t been on board the Isabelle Huppert bandwagon from the beginning. The Times spoke to the French acting legend, who earned her first Oscar nomination for her provocative turn in “Elle,” at the Telluride Film Festival, then, a week later at the Toronto Film Festival. Times film writer Mark Olsen wrote a piece in November about the collaboration between Huppert and “Elle” director Paul Verhoeven, pegged to a tribute at the AFI Fest, and then revisited the actress’ work in this week’s Envelope cover story. The Times also hosted an evening with her as part of our Envelope Independent Screening Series.
So, yes, we’re fans. As my colleague, Mr. Olsen, writes: Huppert “has long had a reputation as one of the most fearsome and fearless actresses in the world. There has always been something both steely and vulnerable about her screen presence, an ice queen willing to show her cracks.”
It’s wonderful that the Oscar nomination points new fans toward her outstanding body of work. You could spend years immersing yourself in it.
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The Oscar Race for Best Actress is Down To Emma Stone vs. Isabelle Huppert
In a fierce contest, the star of Oscar favorite "La La Land" has the advantage. But French veteran Isabelle Huppert could outclass her.
Anne Thompson Feb 3, 2017 1:39 pm
Emma Stone at the
74th Annual Golden Globe Awards
BEI/Shutterstock
In one of the most competitive races for a Best Actress nomination in years, two stars of Best Picture contenders didn’t make it — five-time nominee Amy Adams (“Arrival”) and Taraji P. Henson (“Hidden Figures”) — along with veteran Annette Bening (“20th Century Women”), who will have to wait for her fifth nomination.
See more 2017 Oscar Predictions
So which of the top five final contenders will win the Oscar? I rank them in order of likelihood:
Emma Stone, the“Birdman” nominee and Oscar frontrunner,came out of Venice (winning Best Actress), Telluride, and Toronto with raves for her role as an enchanting singer-dancer-actress in Damien Chazelle’s TIFF audience-winner “La La Land.” She went on to land Critics Choice, SAG, and BAFTA nominations, and took home Golden Globe and SAG Awards. The Oscar is hers to lose.
See this Telluride video of her and writer-director Damien Chazelle at the start of her awards journey.
Isabelle Huppert’s Golden Globe-winning dramatic performance in Paul Verhoeven’s taut mystery “Elle” (Sony Pictures Classics) debuted well at Cannes. The veteran French actress pulls off one of the year’s most challenging characters — a rape victim who refuses to let her abuse define her — as she claims her identity as an entrepreneur, mother, and sexually active older woman. The Academy occasionally embraces foreign actors in its acting categories (see: Marion Cotillard, Simone Signoret, Catherine Deneuve, Juliette Binoche, Emmanuelle Riva), and could do so again. Huppert is long overdue.
Natalie Portman‘s performance in Pablo Larrain’s “Jackie” as the grieving widow of John F. Kennedy broke out at the fall festivals. (Fox Searchlight snapped it up for December release.) Critics raved and she won the Critics Choice Award, also landing Golden Globe, SAG, BAFTA, and Oscar nominations.
This marks Portman’s third Oscar nod; the fact that she won Best Actress in 2010 for Darren Aronofsky’s “Black Swan” may weigh against another win this year. She told me about the challenges of nailing Kennedy’s peculiar accent and controlled emotions during an intensely isolated rite of passage:
Meryl Streep was already in the running for a record 20th nomination for channeling the hilariously entertaining tone-deaf opera singer and title character in Stephen Frears’ “Florence Foster Jenkins” before her rousing Cecil B. DeMille Award acceptance speech at the Golden Globes. But her surging popularity made another nomination for the three-time Oscar-winner a certainty. Streep won the Critics Choice Comedy Actress award, and also scored SAG and BAFTA nominations.
We spoke ahead of the release of “Florence Foster Jenkins.”
Ruth Negga is this year’s breakout contender. Not only is the biracial Irish actress tearing up the small screen as the badass Tulip in AMC’s “Preacher,” but her first major role on the big screen earned her a Best Actress Oscar nomination. Under the direction of Jeff Nichols, in “Loving” Negga delivers a refined portrayal of a woman battling race laws to live in peace with her husband (Joel Edgerton) and their children. She also landed Critics Choice, Globe, and BAFTA rising star nominations.
 “Loving”
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bengongnye pengkomen 
Pedro February 3, 2017 1:59 pm
Isabelle Huppert should win. Oscars are in need of a exciting upset.
As I also love Emma I’ll be fine if she wins, but it will be boring.
Reply
Kevin February 3, 2017 8:16 pm
EmmaStone is no doubt talented, but her victory speeches thus far have been boring, blah and pretentious. Huppert’s sheer joy and surprise and speech after winning the Globe made me a believer. BEST ACTRESS OSCAR!!
Reply
clone February 4, 2017 6:47 am
What does her speech have anything to do with her winning an Oscar??? Her performance in the movie should be the determining factor whether she deserves to win an Oscar or not and NOT other unrelated factors.
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dauswq replied at 6-2-2017 02:21 PM
bengongnye pengkomen
Pedro February 3, 2017 1:59 pm ...
Yes, bodoh yg memberi komen..apa lak kena mengena dgn speech dia menang hari tu..suka hati dia la nk react mcm mana bila menang nanti. |
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@mat_arof
I bru hbs tgk passengers
Cantik dr biasa plak joyah dlm tu ngn rmbut blonde  |
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Oscar Spotlight: The Actresses
By Michael Schulman February 7, 2017
Among the performers nominated for the 2017 Best Actress Academy Award is Emma Stone, for “La La Land.”PHOTOGRAPH BY SUMMIT ENTERTAINMENT / EVERETT
For a certain stripe of Oscar obsessive— c’est moi—it’s all about actresses. A healthy variety of tough, sly, vulnerable, funny, chilling female performances signals that the state of the cinematic union is strong. The actress categories also reveal how well (or not) the movies refract women’s lives. Did the nominees play love interests, sex objects, and worried wives of the male protagonists, or were they the agents of their own stories? On average, Best Actress and Best Supporting Actress winners tend to be around a decade younger than their male counterparts—a reflection of Hollywood’s neglect of older women and its penchant for crowning fresh young starlets. (Think of last year’s Best Actress winner, Brie Larson, who was twenty-six.) But there are many ways to break the mold, as this year’s slate proves. “Normally, on occasions like this, I like to complain, loudly and at length, about the dearth of roles for women,” Emma Thompson said at the 2014 National Board of Review awards. “But, actually, this year they seem to have behaved like buses in London, where you wait for hours for the right one, and then suddenly seventeen come along at once.” At the time, Thompson was appearing in cinemas as the star of “Saving Mr. Banks,” for which she was notably snubbed at Oscar time. This year, a wealth of good roles have again resulted in inevitable slights. Amy Adams (“Arrival”) and Annette Bening (“20th Century Women”) deserve recognition as much as any of the women listed below; Bening, especially, has had bad Oscar luck, having lost twice to Hilary Swank. Let’s hope those London buses keep showing up at her door. In the meantime, here are your nominees:
Best Supporting Actress Viola Davis, “Fences”—Davis is a shoo-in, and for mostly good reasons. An actress of overpowering intensity (the word “volcanic” seems affixed to her name), Davis has been nominated twice before, for “Doubt” and “The Help.” In “Fences,” she outdoes herself, with the help of August Wilson’s earth-shattering monologues, which give voice to a Pittsburgh garbageman’s wife as she battles with her husband’s betrayals. As Rose, Davis could have easily held her own in the Best Actress category; that she is running in the supporting contest has raised questions of category fraud, since it almost guarantees her a win over competitors who had less screen time. But the ambiguity reflects a theme at the heart of “Fences”: Rose’s fight for centrality in her own story. After spending the film’s first half on the sidelines, Rose explodes at her husband, Troy (Denzel Washington): “You not the only one who’s got wants and needs. But I held on to you, Troy. I took all my feelings, my wants and needs and dreams . . . and I buried them inside, too.” Rose dominates the movie’s final act, a supporting character no longer. Naomie Harris, “Moonlight”—As a crack-addled mother in an impoverished neighborhood of Miami, the English actress spent only three days on set, but her portrait of addiction, desperation, and broken love is indelible and unsparing. Like most all mothers, her character exists in both reality and memory; she is a poisoned mirage of a woman, imprisoned by circumstances and blind to the damage she inflicts on her boy, and on herself. Nicole Kidman, “Lion”—Kidman’s character, Sue Brierley (based on a real person), is an altogether different kind of mother: a Tasmanian woman who adopts two sons from India, one of whom, Saroo, attempts to find his birth family years later. Kidman brings a reassuring warmth and certainty to the role, particularly in a late scene in which Sue reveals to the grown Saroo the vision that inspired her to adopt. But Kidman appears only at the end of the movie’s stronger half, its first, in which little Saroo (the astounding child actor Sunny Pawar) gets lost on a train. Octavia Spencer, “Hidden Figures”—For whatever reason (perhaps because she’s already won an Oscar, for “The Help”), Spencer has become the awards representative for a movie she shares with two equally strong co-stars, Taraji P. Henson and Janelle Monáe, playing a real-life trio of black female mathematicians who worked at NASA in the segregated sixties. Spencer’s character, Dorothy Vaughan, runs an all-black group of data analysts, but she can’t seem to land the official title of “supervisor.” Spencer brings the role an unshowy fortitude and weariness, even if Henson makes the movie’s strongest impression. Michelle Williams, “Manchester by the Sea”—If Viola Davis were running in the Best Actress category, Williams, nominated for her fourth time, would probably be looking at her first Oscar. As the onscreen ex-wife of Casey Affleck’s deadbeat janitor, Williams has one big scene that rivals the emotional impact of everything else in the film—a feat that the supporting categories typically reward. No one does fragility like Williams, who’s as diaphanous and bruised as a fallen petal.
Best Actress Isabelle Huppert, “Elle”—France’s first lady of acting has her first Oscar nomination, and not a moment too soon. Perhaps no one else could have held together Paul Verhoeven’s film: part psychosexual melodrama, part pitch-black comedy, part trashy thriller. But Huppert has just the right blend of nonchalance and dark sexuality to make sense of her character, a high-powered video-game executive who is brutally raped by an intruder. Huppert layers her characterization with enigma, confounding any preconceived notion of how a rape victim “should” behave. Instead, she’s prickly, daring, and evasive—and never uninteresting. Ruth Negga, “Loving”—As Mildred Loving, who, with her husband, sued the state of Virginia in the Supreme Court case that ended anti-miscegenation laws, Negga is as soft-spoken as civil-rights pioneers come. The true subject of Jeff Nichols’s drama is less the fight against injustice than the way that history chooses unlikely heroes. The Lovings are keep-to-themselves type of people, and Richard Loving (Joel Edgerton) is particularly reluctant to make noise. But Negga’s Mildred possesses a quiet resolve that drives the story—and history—forward. Natalie Portman, “Jackie”—Portman, like Philip Seymour Hoffman, Helen Mirren, Eddie Redmayne, and many more before her, has the bio-pic edge. Playing a famous figure can reduce acting to a verisimilitude test, one that Academy voters tend to reward. Portman gives us Jacqueline Kennedy at her most iconic: the weird well-bred accent, the pillbox hat, the peculiar nexus of grief, duty, and style. That Portman braved it at all is admirable; that she made it her own is laudable. Emma Stone, “La La Land”—Stone has enough raw charisma to launch her to the heavens and back, which is pretty much what happens in Damien Chazelle’s movie musical. Stone’s singing and dancing are good, if not virtuosic, though her character, Mia—a wide-eyed aspiring actress trying to land her big break—can be downright irritating. (Lord help whoever had to sit through Mia’s one-woman show.) But Stone fills in the generalities of Chazelle’s story with a glowing innocence and a beating heart. Meryl Streep, “Florence Foster Jenkins”—Look, I like a Meryl Streep vehicle as much as the next person (or, let’s face it, way more than the next person), but Stephen Frears’s period comedy was a minor entry in the Streep canon. As a New York society woman who loved singing publicly despite being painfully tone-deaf, Streep was effusively dotty, characteristically empathetic, and a bit mannered. You could argue that Hugh Grant, who was not nominated, had the tougher job, as Florence’s accommodating husband. Streep broke her own record with her twentieth Oscar nomination—but her Golden Globes speech was the more memorable performance. Bottom line: Though Huppert pulled out a surprise win at the Golden Globes, I’d say the contest is mainly Portman vs. Stone, with the “La La Land” juggernaut likely to lift Stone to victory. Hollywood is for dreamers, and don’t you forget it!
Michael Schulman has contributed to The New Yorker since 2006.
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Poll: Who Will Win Best Actor at the Oscars? 
Variety Staff Follow Us on Twitter @Variety
 Amazon Studios/Paramount
January 31, 2017 | 05:33PM PT
The race is officially on. As we near the Oscars on Feb. 26, we’ll be breaking down who has the best shot at awards glory, but we want to hear from you.
At the SAG Awards on Sunday, Denzel Washington was a relative surprise when he took home the trophy for best lead actor for “Fences.” Will he repeat the victory at the Oscars?
Then again, “Manchester by the Sea” star Casey Affleck is largely the favorite. That doesn’t mean that Ryan Gosling, whose “La La Land” has been sweeping awards season, can’t take the prize. And don’t count out dark horses Andrew Garfield (“Hacksaw Ridge”) and Viggo Mortensen (“Captain Fantastic”).
Who do you think will win? Weigh in below!
UPDATE: This poll has been closed, with Affleck taking the top spot.
Who Will Win Best Actor at the Oscars? (Poll Closed)
Casey Affleck, “Manchester by the Sea” 42.93% (954 votes)
Denzel Washington, “Fences” 33.35% (741 votes)
Ryan Gosling, “La La Land” 14.31% (318 votes)
Andrew Garfield, “Hacksaw Ridge” 5.99% (133 votes)
Viggo Mortensen, “Captain Fantastic” 3.42% (76 votes)
Total Votes: 2,222
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haha. ni speech masa SAG hari tu ke? memang patut pun kena maki. dah tahu dia dgn natalie portman 50-50 boleh dpt award get ready lah speech. ni dah sampai atas, terkejut konon. lepas tu hujung2 citer pasal society yg sangat general. lain la mcm leonardo dicaprio, menang oscar bagi ucapan pasal global warming, sebab filem dia tu pun ada kaitan dgn gobal warming
tapi iols nak dia menang gak hujung bulan ni. natalie portman dah menang sekali.
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Post time 1-2-2017 05:49 PM
Author
Lionsgate/Fox Searchlight
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