bukan Glenn Close ke calon favourite utk menang....nape takde harapan plak....
1. Glenn Close - calon favourite menang
2. Olivia Colman - ada harapan
3. Lady Gaga - tipis
4. Felicity Jones - tipis
5. Nicole Kidman - tipis
Rami Malek ada harapan menang Best Actor. pesaingan terkuat dia adalah Bradley Cooper je.
1. Rami Malek - calon favourite menang
2. Bradley Cooper - ada harapan
3. Ryan Gosling - tipis
4. Viggo Mortensen - tipis
5. Christian Bale - tipis
Best Supporting Actor pilihan aku adalah Sam Elliot (A Star is Born). Best Supporting Actress pilihan aku adalah Regina King (If Beale Street Could Talk).
Post time 15-11-2018 10:27 PMFrom the mobile phone|Show all posts
dauswq replied at 14-11-2018 10:18 PM
tak sangka rosamund pike pun ade film tahun ni, keluar 16nov ni..
ramai pengkritik berstuju one of ...
Rosamund Pike mmg antara calon yg bakal menggugat the current frontrunners. Ada some pundits kuar statement, peluang dia nk masuk top 5 lg tinggi compare to Felicity Jones.
tahun ni baru perasan antara plg byk calon best actress yg menonjol
nnt dh masuk top 5, lagi sengit
harap2 bukan semua awards bodies bg kemenangan pd org sama mcm thn2 yg lepas..
tak syok nak teka, dah tau org tu konfem menang.. sbb tu rating boleh jatuh..
cthnye, mcm kes nicole kidman menang oscar dgn filem hours dulu
no one expect her to win easily sbb saingan nya mase tu, julianne moore (far from heaven) swept banyak anugerah pengkritik dan renee zellweger (chicago) menang SAG
masa ni
Julianne Moore menang Volpi best actress kt Cannes film festival ..dan menang di Critics choicesNicole kidman menang ..golden globe dan BAFTA
Renee menang SAG
tapi Oscar Nicole Kidman menang....
kali ni persaingan best actress memang sengit...
tapi kesian pulek kat Glenn Close...dari zaman muda dah lah hak dia dirampas oleh Cher(Moonstruck)..sedangkan lakonan Glenn close dalam fatal attraction lebih menyerlah...
dah tua tua ni susah pula dia nak kalahkan pelakon pelakon muda....
bagilah can dia menang...kalau Julianne moore boleh menang ...kasilah Glenn close menang, lepas ni boleh lar bersara ...
* lagi sorang Michelle Pfeiffer ..dia ni bila lah nak berlakon lagi ...carilah watak watak yang mantap sikit...suami dia pun hebat seorang produser film...nak juga tgok michelle menang oscar
bette midler dh tak de chance menang lagi ke? teringat filem The First Wife Club, diane keaten & goldie hawn dah menang oscar, bette midler smpi skrg tak menang apa2 sekadar tercalon jek
2019 Independent Spirit Awards Nominations: See the Complete List
By John Boone‍ 10:00 AM PST, November 16, 2018
Courtesy of A24 / Sony Pictures Releasing
On Friday morning, Molly Shannon and Crazy Rich Asians breakout Gemma Chan announced nominees for the 2019 Independent Spirit Awards, the highest honor in indie filmmaking. The ceremony itself, which will be held inside the traditional big white tent just north of the Santa Monica Pier, will be broadcast live on IFC on Feb. 23, the night before the Academy Awards.
That said, we may have some early clues as to who will end up in the Oscars mix. After all, this year's Spirit Award nominees included eventual Oscar nominees Call Me by Your Name, Get Out and Lady Bird. (Not to mention, Frances McDormand, Allison Janney and Sam Rockwell all picked up Spirit Awards before their Oscar statuettes.) Now, without further ado, on to the nominees:

BEST FEATURE
Eighth Grade
First Reformed
If Beale Street Could Talk
Leave No Trace
You Were Never Really Here
BEST DIRECTOR

Debra Granik, Leave No Trace
Barry Jenkins, If Beale Street Could Talk
Tamara Jenkins, Private Life
Lynne Ramsay, You Were Never Really Here
Paul Schrader, First Reformed
BEST FIRST FEATURE
Hereditary
Sorry to Bother You
The Tale
We the Animals
Wildlife
BEST FEMALE LEAD

Glenn Close, The Wife
Toni Collette, Hereditary
Elsie Fisher, Eighth Grade
Regina Hall, Support the Girls
Helena Howard, Madeline's Madeline
Carey Mulligan, Wildlife
BEST MALE LEAD
John Cho, Searching
Daveed Diggs, Blindspotting
Ethan Hawke, First Reformed
Christian Malheiros, Sócrates
Joaquin Phoenix, You Were Never Really Here
BEST SUPPORTING FEMALE
Kayli Carter, Private Life
Tyne Daly, A Bread Factory
Regina King, If Beale Street Could Talk
Thomasin Harcourt McKenzie, Leave No Trace
J. Smith-Cameron, Nancy
BEST SUPPORTING MALE
Raúl Castillo, We the Animals
Adam Driver, BlacKkKlansman
Richard E. Grant, Can You Ever Forgive Me?
Josh Hamilton, Eighth Grade
John David Washington, Monsters and Men

BEST SCREENPLAY
Richard Glatzer (Writer/Story By), Rebecca Lenkiewicz & Wash Westmoreland, Colette
Nicole Holofcener & Jeff Whitty, Can You Ever Forgive Me?
Tamara Jenkins, Private Life
Boots Riley, Sorry to Bother You
Paul Schrader, First Reformed
BEST FIRST SCREENPLAY
Bo Burnham, Eighth Grade
Christina Choe, Nancy
Cory Finley, Thoroughbreds
Jennifer Fox, The Tale
Quinn Shephard (Writer/Story By) and Laurie Shephard (Story By), Blame
BEST CINEMATOGRAPHY
Ashley Connor, Madeline's Madeline
Diego Garcia, Wildlife
Benjamin Loeb, Mandy
Sayombhu Mukdeeprom, Suspiria
Zak Mulligan, We the Animals
BEST EDITING
Joe Bini, You Were Never Really Here
Keiko Deguchi, Brian A. Kates & Jeremiah Zagar, We the Animals
Luke Dunkley, Nick Fenton, Chris Gill & Julian Hart, American Animals
Anne Fabini, Alex Hall and Gary Levy, The Tale
Nick Houy, Mid90s
JOHN CASSAVETES AWARD
(Given to the best feature made for under $500,000.)
A Bread Factory
En el Séptimo Día
Never Goin' Back
Sócrates
Thunder Road
ROBERT ALTMAN AWARD
(Given to one film director, casting director and ensemble cast.)
Suspiria
BEST INTERNATIONAL FILM
Burning (South Korea)
The Favourite (United Kingdom)
Happy as Lazzaro (Italy)
Roma (Mexico)
Shoplifters (Japan)
BEST DOCUMENTARY
Hale County This Morning, This Evening
Minding the Gap
Of Fathers and Sons
On Her Shoulders
Shirkers
Won't You Be My Neighbor?
PIAGET PRODUCERS AWARD
(Recognizes emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity and vision required to produce quality independent films.)
Jonathan Duffy and Kelly Williams
Gabrielle Nadig
Shrihari Sathe
SOMEONE TO WATCH AWARD
(Recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition.)
Alex Moratto, Sócrates
Ioana Uricaru, Lemonade
Jeremiah Zagar, We the Animals
TRUER THAN FICTION AWARD
(Recognized an emerging director of non-fiction features who has not yet received significant attention.)
Alexandria Bombach, On Her Shoulders
Bing Liu, Minding the Gap
RaMell Ross, Hale County This Morning, This Evening
ANNUAL BONNIE AWARD
(Recognizes a mid-career female director with a $50,000 unrestricted grant.)
melissa mccarthy pun gagal tercalon top 5 utk indie award camni, in fact, richard e grant pun boleh tersangkut, boleh say goodbye utk top 5 best actor.
It’s that time of year again, folks. While I’ve been covering the early days of the 2019 Oscar race here with Oscar Beat since September, it’s now time to put up or shut up—predictions time has arrived. All this week I’ll be unveiling my early predictions in four main categories, with a new category going up each day. Today we kick things off with what’s consistently one of the most exciting races: Best Actress.
This year’s Best Actress category may be filled out by a diverse mix of first-timers, Oscar veterans, and possibly even someone who’s never even acted before. And in a year as rich with great performances as 2018, there are also some exciting contenders waiting just outside the wings for a little push to make them fully-fledged Oscar nominees. So let’s dig in, shall we?
Image via Fox Searchlight
The frontrunner for Best Actress is pretty unanimous, and it was settled as soon as Fox Searchlight figured out who would be submitted for what category in Yorgos Lanthimos’ critically acclaimed comedy/drama The Favourite. BAFTA and Golden Globe-winning actress Olivia Colman delivers a powerhouse performance as Anne, Queen of Great Britain in Lanthimos’ riotous film, and while there was some discussion as to whether she’d be submitted for Lead or Supporting, Fox Searchlight ultimately decided to put Colman in Best Actress and her co-stars Emma Stone and Rachel Weisz in Supporting—both of whom are also now frontrunners in that category.
But frontrunner is merely a state of mind at this stage—Colman’s status as “the favorite” won’t necessarily be solidified until the critics awards start rolling in and the actress has some stats to back that up. For now, however, she’s the presumed frontrunner, and by my count there’s only one other actress who has a serious shot at winning the Oscar over Colman: Lady Gaga.
Indeed, A Star Is Born is the overall Oscar frontrunner right now. It’s a box office and critical smash that’s captured the zeitgeist in a serious way, and it’s expected to pull in a lot of nominations for the upcoming Academy Awards. One such nomination that’s expected is Best Actress, with Lady Gaga turning in a truly stellar performance as the titular star—an up-and-coming songwriter who becomes a pop superstar under the mentorship of an aging musician (played by Bradley Cooper).
Image via Warner Bros.
Gaga’s work is stunning, and her performance has been drawing raves ever since the film was unveiled on the festival circuit back in September. At this stage it’s a bit too early to start calling winners in the Oscar categories—there’s a lot of “narrative” left to be told over the next few months, and early frontrunners can often fall in that crucial final phase (see: The Social Network, The Revenant, Boyhood, etc.). But Colman and Gaga are undoubtedly at the top of this list.
Beyond these two, there are a number of exciting possibilities to fill out the Best Actress category. Melissa McCarthy delivers the best performance of her career in Can You Ever Forgive Me?, which I have a feeling may be a bit of a surprise Oscar hit this year. It’s a melancholic, impeccably acted true-story drama and those who love it really love it. There’s also Glenn Close in The Wife, a film that actually debuted at TIFF 2017, but Sony Pictures Classics pushed it to 2018 to better position Close in the Best Actress race.
And of course there’s newcomer Yalitza Aparicio, whose phenomenal performance in Alfonso Cuarón’s ROMA is the emotional centerpiece of the critically acclaimed Spanish-language film. ROMA is positioned as a major Oscar contender, especially in Best Picture and Best Director, and almost every major Oscar contender needs at least one acting nomination. I expect this is where the film will deservedly get it.
Beyond that, there are a number of uncertainties. Toni Collette was the year’s first Best Actress contender with her head-spinning work in Hereditary, but the horror film’s reputation as a rough watch may simply mean not enough voters get around to watching it (although they absolutely should). Oscar winner Viola Davis is terrific inWidows, but 12 Years a Slave filmmaker Steve McQueen’s take on a blockbuster movie failed to bring out audiences on opening weekend and has had a frustratingly muted—if still positive—reaction from critics. Though this is the kind of film that could get a second wind from the SAG Awards thanks to its terrific ensemble cast, so I think Davis remains in contention.
Image via IFC Films
Past nominee Rosamund Pike is in the mix for her excellent turn in A Private War, which faces a bit of an uphill battle in that it doesn’t hail from a major distributor (therefore doesn’t have Fox Searchlight-like Oscar campaign money). Nicole Kidman drew strong notices for her antihero turn in Destroyer, although the film itself has mixed reviews. Ditto Julia Roberts in the nice but forgettable Ben Is Back. And Carey Mulligan delivers the best performance of her career in Wildlife, and I have a feeling she could easily sneak in if IFC Films puts the necessary money behind a campaign for her performance.
If the Oscars really want to surprise, young actress Elsie Fisher’s turn in Bo Burnham’s coming-of-age dramedy Eighth Grade is a solid contender, and Kiki Layne’s performance in Barry Jenkins’ If Beale Street Could Talk could be in the mix if that film hits big with Oscar voters. I’d also contend that Kathryn Hahn‘s work in Private Life is one of the best performances of the year, and Netflix would do well to push her in this category.
All eyes were on the Ruth Bader Ginsberg drama On the Basis of Sex and the period drama Mary, Queen of Scots to see if Felicity Jones and Saoirse Ronan, respectively, had the goods, but both films skipped the fall film festival season and drew mixed reviews out of their recent AFI Fest debuts, so neither actress feels like a major threat this year. And there’s one big unknown still to come: Mary Poppins Returns. The film was finally unveiled to Academy and Guild members this past weekend and reportedly went over like gangbusters, so you can’t count out Emily Blunt as a possibility. And if you’re wondering why Blunt isn’t here for another film, Paramount Pictures has submitted the entire A Quiet Place cast in the Supporting categories.
So that about covers it. Obviously it’s early and the race will shift in the coming weeks, but as of right now here are my Best Actress predictions in order of likelihood to be nominated. Check back tomorrow for Best Actor.
Frontrunners
Image via Fox Searchlight
1. Olivia Colman – The Favourite
2. Lady Gaga – A Star Is Born
In the Mix
Image via Netflix
3. Melissa McCarthy – Can You Ever Forgive Me?
4. Yalitza Aparicio – ROMA
5. Glenn Close – The Wife
6. Viola Davis – Widows
7. Toni Collette – Hereditary
Outside Contenders
Photo by Paul Conroy/Aviron Pictures
8. Rosamund Pike – A Private War
9. Emily Blunt – Mary Poppins Returns
10. Kiki Layne – If Beale Street Could Talk
11. Nicole Kidman – Destroyer
12. Carey Mulligan – Wildlife
13. Elsie Fisher – Eighth Grade
14. Julia Roberts – Ben Is Back
15. Kathryn Hahn – Private Life
Post time 27-11-2018 01:00 AMFrom the mobile phone|Show all posts
Any thoughts abt this movie?? Of course calon feveret menang best foreign film tapi actress movie ni (Julian Kulig) dah dicanang2 bakal menggugat calon2 best actress yg lain. Movie ni pun dah byk menang awards kat Europe nun di sana.
SYNOPSIS
Cold War is a passionate love story between a man and a woman who meet in the ruins of post-war Poland. With vastly different backgrounds and temperaments, they are fatefully mismatched and yet condemned to each other. Set against the background of the Cold War in 1950s Poland, Berlin, Yugoslavia and Paris, it’s the tale of a couple separated by politics, character flaws and unfortunate twists of fate — an impossible love story in impossible times.
Cold War earned Pawel Pawlikowski the Best Director award at the 2018 Cannes Film Festival. Pawlikowski’s previous film, Ida, was a global success, winning the Oscar and BAFTA foreign-language film awards as well as five European Film Awards including Best European film, Director and Screenplay. His other feature credits include My Summer of Love and Last Resort.
The film is a Polish/French/U.K. co-production, produced by the writer- director’s long-time partners Tanya Seghatchian (My Summer of Love) of Apocalypso Pictures and Ewa Puszczyńska (Ida) from Piotr Dzicio’s Opus Film (Poland), along with France’s MK Productions.
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It was a good day for Reginas, as two won big big at the New York Film Critics Circle Awards: Regina King won Best Supporting Actress for “If Beale Street Could Talk,” while Regina Hall’s performance in “Support the Girls” netted her Best Actress laurels. The latter award proved historic: Hall is the first black woman to be so honored in the NYFCC’s 83-year history.
Other black performers to be awarded by the oldest critics group in the country include Forest Whitaker (“The Last King of Scotland”), Denzel Washington (“Malcolm X”), Mahershala Ali (“Moonlight”), Samuel L. Jackson (“Jungle Fever”), Morgan Freeman (“Street Smart”), Mo’Nique (“Precious”), and Tiffany Haddish, who was named Best Supporting Actress for her performance in “Girls Trip” last year. With King’s win, the NYFCC has now given that award to black women two years in a row for the first time.
“Roma” was the biggest winner with the NYFCC today, winning Best Film, Director, and Cinematography; the latter two prizes both went to Alfonso Cuarón, whose black-and-white feature has emerged as one of the most critically acclaimed films of the year. “First Reformed” also did well, picking up both Best Screenplay for writer-director Paul Schrader and Best Actor for Ethan Hawke.
Here’s the full list of winners:
Best Picture: “Roma” Best Director: Alfonso Cuarón, “Roma” Best Screenplay: Paul Schrader, “First Reformed” Best Actress: Regina Hall, “Support the Girls” Best Actor: Ethan Hawke, “First Reformed” Best Supporting Actress: Regina King, “If Beale Street Could Talk” Best Supporting Actor: Richard E. Grant, “Can You Ever Forgive Me?” Best Cinematography: “Roma,” Alfonso Cuaron Best Non-fiction Film: “Minding the Gap,” director Bing Liu Best Foreign Language Film: “Cold War,” director Pawel Pawlikowski Best Animated Feature: “Spider-Man: Into the Spider-Verse” Best First Film: “Eighth Grade,” director Bo Burnham Special Award For Career Achievement: David Schwartz, Chief Film Curator at Museum of the Moving Image for 33 years Special Award: Kino Classics Box Set “Pioneers: First Women Filmmakers”
Post time 15-11-2018 04:00 PM
Author
kemenangan yg mengarut 
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