Ni Ben dan Rebecca nominate untuk Critics Choice Awards:
Rebecca Hall & Benedict Cumberbatch Nominated for Critic’s Choice Television Award
BEST ACTOR IN A MOVIE OR MINISERIES Benedict Cumberbatch (Parade’s End)
Matt Damon (Behind the Candelabra)
Michael Douglas (Behind the Candelabra)
Toby Jones (The Girl)
Al Pacino (Phil Spector)
Dominic West (The Hour)
BEST ACTRESS IN A MOVIE OR MINISERIES
Angela Bassett (Betty & Coretta)
Romola Garai (The Hour) Rebecca Hall (Parade’s End)
Jessica Lange (American Horror Story: Asylum)
Elisabeth Moss (Top of the Lake)
Sigourney Weaver (Political Animals)
(ALL NOMINEES HERE)
Award show 10 June 2013 di Beverly Hilton Hotel, LA
Yay! Last edited by hironakamura76 on 22-5-2013 09:35 PM
Abang Zachary Quinto pun tercalon dalam Critics Choice awards:
BEST SUPPORTING ACTOR IN A MOVIE OR MINI-SERIES
• James Cromwell (American Horror Story: Asylum) – FX
• Peter Mullan (Top of the Lake) – Sundance
• Zachary Quinto (American Horror Story: Asylum) – FX
• Sebastian Stan (Political Animals) – USA
• David Wenham (Top of the Lake) – Sundance
• Thomas M. Wright (Top of the Lake) – Sundance
Last edited by hironakamura76 on 22-5-2013 09:34 PM
hironakamura76 posted on 22-5-2013 11:12 PM
Nama Radio Comedy tu tajuk dia Cabin Pressure
Ni sample:
takyah...search je kt utube. pjg jugak episode die dlm setgh jam gitu.
watak abang ben dlm cabin pressure ni watak kapten kabin yg skema dikelilingi watak-watak yg giler. fans abang ben mmg kagum ngan abg ben sbb walaupun die dah bergelar superstar die still lg nk join cast ni smpi season latest.
The Cabin Pressure scripts have to be on a level with the showsFinnemore reveres – he also namechecks Modern Family, Parks andRecreation, Ed Reardon's Week and Bleak Expectations - to do justice tothat unbelievably good cast. Despite Cumberbatch's rapid ascent, not tomention Allam's big roles in The Thick of It, Parade's End and the restand Cole's stints on Coronation Street, Cabin Pressure is yet to lose amember of its original line-up.
"Every series I think, we won't get them all back this time," saysFinnemore, who himself completes the show's quartet as dappy flightattendant Arthur Knapp-Shappey. "We'll have to recast or write out oneof them. And I wouldn't blame them at all: Benedict's a Hollywood moviestar now! He's the main villain in Star Trek! I can't possibly expecthim to come along to the Drill Hall and read out my stuff in front of200 people. But he does! "If one of them's in the theatre they'll do iton a Sunday, on their rest day. It means an awful lot to me. They werepretty prestigious when we first put them together in 2008. I thought,if this were the cast of a new show at the National, that would seemperfectly reasonable. Since then their careers have gone up and up andup."
None more so than that of Cumberbatch – since Cabin Pressure waslast on Radio 4, series two of Sherlock has put Cumbermania at an evenhigher pitch. Has it changed him? "He's dealt with it very well, heseems exactly the same. David, the producer, and I are the ones saying,'Oh, we've just got a plate of sandwiches from Pret! That's not whatyou're used to! I hope this is all right!'
"What's different, of course, is the way the audience reacts to him.The first recording we did after Sherlock started, suddenly the queuestarted very early in the morning, and it was obvious when I arrivedfor the rehearsal that the demographic had completely changed from thenormal Radio 4 comedy audience. I must admit, at that stage I was a bitworried that they had just come to see Benedict. I thought, is it goingto fall flat because they're not really interested in the story or thecomedy?
"I'd completely underestimated them. They laugh in all the rightplaces and are intelligent and lovely. It was me making lazyassumptions about…"
The Cumberbitches?
"As they call themselves! I still haven't quite got the hang ofcalling them that. We had 17,000 people applying for 200 tickets.People flew in from Japan and Thailand. It's a bit extraordinary. Buthe's very good at meeting people afterwards and giving autographs."
Cumberbatch's performance is perhaps all the more notable because,contrary to his more famous TV/film roles where he tends to playintimidatingly clever people, in Cabin Pressure he's bewildered loserMartin Crieff, the captain constantly outwitted by Roger Allam as thesuave, devious, older first officer Douglas Richardson.
To take just one example from the lines to which Cumberbatch lendshis megastar talent in tonight's episode: "All right! The code for thereal Ouagadougu is 'Ouagadougu Ouagadougu'!" Or another: "Urgh! Urgh!Urgh! Urgh!"
Explains Finnemore: "Martin's low-status, maladroit, stuttering. ButBenedict enjoys playing different parts. He doesn't want to be typecastas a… psychopathic genius. Certainly no-one would use either of thosewords to describe Martin. He's very uncomfortable in his own skin,whereas Sherlock doesn't even notice his.
"During the recording he and Roger are very spontaneously funny ifsomething goes wrong, or in the way they react to the audience. Rogersort of becomes Douglas, saying things in a very dry, laconic voice. Ithink, I didn't write that, but that's a really good Douglas line! Itis a very Roger Allam role, yes. It's not a stretch for him."
So what, if anything, changes in series four? "There's moredevelopment, more things happening in one episode that influence whathappens next. I've done a bit more about their stories, in particularMartin's decision about how long he can carry on this odd existence –whether he can carry on working for no money at MJN or needs to goelsewhere. I couldn't keep saying, poor old Martin's got no money andMJN is about to go under. It's crying wolf. People start to think, theyare safe really, aren't they? They always have been in the past."
That sounds like preparing the ground for Cumberbatch, finally, moving on. "I couldn't possibly comment!"