" I HAVE MET ANGELINA JOLIE. SHE'S VERY SWEET & SOFT-SPOKEN. SHE SAID ' YOU ALWAYS LOOK SO GREAT. HOW DO YOU DO IT?' I WAS LIKE, 'ME?? WHAT ABOUT YOU?'"...
P/S:..korang prasan x..kalau majalah dari UK gambar celebrity ni semua jadi cam lembut..& retro...
muka garang mcm kiki...chloe ni semua "berjaya" di lembutkan..
P/SS:..kalau korang nak baca psl baju2 yg chloe gayakan ni bleh la zoom yea..
Hye and a very good morning Manja!!Tq for introducing such a gorgeous woman with a very classy name, Chloe Sevigny!!
Suke plak ai tgk gambo die nie ,charming and character ala2 kiki plak kan?? suke tgk her blue eyes, sgtlah chantek!!
sarah_ary2 posted on 3-10-2012 11:55 AM
Hye and a very good morning Manja!!Tq for introducing such a gorgeous woman with a very classy name, ...
hi2 u....
thanx u...no problem...
yup2..gorgeous kan die?...
ya btul tu..i stuju..die mcm Kiki skit2...Angie..skit2..
ape tu org kata.."crazy sexy cool"..eheheh...
Chloe & Angie...
2001 Vanity Fair Oscar Party - Arrivals
P/S:..nampak mcm chloe lagi tinggi dari angie..tp dua2 pakai heels..ni..kalau model slalu tinggi kena brape kaki yea?..chloe 1.73m...ahahha..angie pun same...
Chloe Sevigny and Liv Tyler attend the Proenza Schouler Fall 2011 fashion show during Mercedes-Benz Fashion Week at Private Studio on February 16, 2011 in New York City.
Tara Subkoff’s second Imitation collection was shown in the midst of a mob scene at Milk last night. While even those with seated tickets were being turned away at the door, some, like Chloë Sevigny, had no problem getting in. The actress was out to show her support for Subkoff, her best friend, and we took a moment to ask what she thought of the collection.
Whit Stillman’s debut film Metropolitan confused many viewers, who couldn’t see the relevance or the humour of a group of wealthy young preppy New York intellectuals attending debutante social gatherings and after-parties, worrying endlessly in a long series of conversations about the uncertainty of their future. Despite the social status of the characters and anachronism of the milieu of coming-out parties of the New York elite, there was nevertheless a more universal dimension to the film, of young people trying to find their place in a world where the formerly rigid rules of social behaviour were changing, leaving them uncertain about their futures.
Stillman finds just such a similar situation in his third film (and to date his last one) The Last Days of Disco (1998), although it is one where viewers will be more familiar with the character types, the rules of dating etiquette and the social behaviour and expectations placed on the characters. Set at the start of the 1980’s, the film follows the fortunes of two young girls, Charlotte (Kate Beckinsale) and Alice (Chloë Sevigny), both of them working as assistant editors in a New York publishing company. Supplemented by rich parents, they nevertheless want to find their own apartment and fit into the lively New York social scene, which revolves around an exclusive discotheque. Far from being the liberating scene it was ideally supposed to be, the disco is the new form of social elitism, where those that pass the stringent checks of the doormen feel part of a privileged few. The people Charlotte and Alice tend to meet there are consequently many of the familiar faces they knew from their college days, and their behaviour is restricted by living up to past reputations and dealing with former crushes and rivalries. Last edited by manjalara_01 on 3-10-2012 07:00 PM
The real rivalry turns out to be not over the young advertising executive Jimmy Steinway (Mackenzie Astin) – who is fortunate enough to be admitted to the club because he knows one of the managers, Des (Chris Eigeman) - but between the girls themselves over which is the most successful method of getting on in the world, succeeding in the workplace and having the most men flocking around them. Charlotte is jealous of the ease with which Alice can effortlessly attract attention of the young men that make up their circle. Unaware of these charms and lacking confidence in herself, Alice follows the advice of Charlotte who seems to know all the right things to say and do, but her first conquest with Tom (Robert Sean Leonard) gets her into a lot of trouble.
The select group that gather around the girls are consequently rather like the self-styled UHB’s (Urban Haute-Bourgeoisie) of Stillman’s Metropolitan. Having left college, they are now seeking to find their place in the world, assistant DA’s, advertising executives, corporate lawyers, nightclub managers, and book publishers, the world is theirs for the taking. And it’s an exciting world at the height of the disco explosion, a world of unlimited prospects, fuelled by drugs and new open sexual experiences. The characters however – just like those in Metropolitan - feel lost in this new world, struggling to keep up with the demands placed on them by their yuppie social status, the need for professional success, understanding the rules of accepted social behaviour and being accepted by those around them. With drugs, depression and STDs rampant, having fun seems to be more difficult than it really ought to be. Last edited by manjalara_01 on 3-10-2012 07:04 PM
Stillman’s strengths have never been in the conventional plot department, the sudden crises that come at the conclusions of Metropolitan, Barcelona and here in The Last Days of Disco seeming like an afterthought or a need to give the storyline some semblance of a plot. They are however the least important aspects of these films, which thrive rather on the quality of the writing and the characterisation. The Last Days of Disco is particularly brilliant in this respect, abounding in the director’s trademark fast-talking witty intellectual conversations, even surpassing Metropolitan here with the amount of one-liners and the social complications.
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Last edited by manjalara_01 on 2-10-2012 10:24 PM 
Post time 3-10-2012 11:55 AM
