sori faz
x jadi nak serbu panggung dgn anak2
Lol bnyk review ckp x bes...syg seribu kali syg..heroin kate die sgt memilih watak tapi knp memilih watak yg bestapi jalan cerita hancur plus filem ni xde pun kat velocity maluri.hampir2 aku nk tgok smlm..so x kan nk p pawagam lain pulak..so sory cmne nk box ofis kalau tayangan xde kat kebanyakkan wayang
Despite Fazura holding the titular role, cerita ni sebenarnya adalah 100% cerita Khalid. Screentime Remy dan Shenty lebih banyak daripada screentime Fazura.Jalan cerita banyak berkisar tentang Khalid, daripada dia bercinta (more like having a good time) dengan Mina, sampailah Mina kecewa balik Singapore, Mina datang balik tengah mengandung, Khalid dan rakan-rakan nak menganiaya Mina, Mina mati... sampailah ke present time lepas dia kawin dengan Siti, semua kisah Khalid.
Backstory percintaan sepenuh jiwa Mina dan Khaid tu tidak dapat dirasai. Or, kalau nak tunjuk bahawa Mina tu sebenarnya bertepuk sebelah tangan pun tak sampai ke hati penonton. Skrip cerita ni memang agak kurang kemas. Dan ada watak yang tak tahu mengapa dia ada di situ, macam Wan Hanafisu.
Actually, for me, paling menyerah adalah Namron. Muka dia tu expressive sangat... tapi akhir filem hilang begitu je. Mati ke Suut Din? Fazura memang undeniably so beautiful. And her screen presence was so huge that everytime she appeared on screen, my eyes just couldn't leave her. Gandingan Fazura dan Remy sepatutnya boleh jadi meletup, tapi itulah, dalam filem ni... skrip... skrip!!! Klasifikasi 18 pun kurang membantu.
https://www.instagram.com/p/B2YifA1Afbv/
Edited by LinguaFranca at 17-9-2019 01:36 PM
https://medium.com/@the.singaporean.minimalist/how-watching-revenge-of-the-pontianak-gave-me-an-unlikely-new-female-character-to-look-up-to-f27f2fcab5f5
How watching “Revenge of the Pontianak” gave me an unlikely new female character to look up to
Letting go of the notion that girls are the “weaker sex”, for we are fearsome, fearless and utterly, terrifyingly fierce. Rachel Tan
IntroductionThe last time I watched a horror movie was 14 years ago when I wanted to celebrate the end of my A level prelim examinations. I foolishly went to buy a ticket to Ju-On 2 which was the only show available at that time and I took 3 whole weeks to recover from that experience and I’d never seen a horror show since then. Until now.I was sold by Today Online’s review that the show was more pretty than scary. That got me intrigued. And it was directed by Glen Goei (I really enjoyed La Cage). Plus Mothership’s very detailed review on the show was also a push factor. I liked how the movie took a decade to conceptualise and that the casting took an entire year.But I think what sealed the deal was my good buddy’s invitation to watch it with her, for she kindly agreed to let me grab her arm whenever I was frightened (which happened at a frequency of every 5 minutes or so.) And yes, I am that big a scaredy cat. And that’s what friends are for.
Brief SynopsisNote: The rest of the article contains spoilers to the movie so don’t say I didn’t, say I didn’t warn ya.For the uninitiated, the Pontianak is a vengeful female vampiric ghost present in Malay folklore who dies in childbirth and lives amongst banana trees in the daytime and comes out at night to hunt. There have been many movies made about Pontianaks over the decades in Singapore, Malaysia, and Indonesia. It’s an eternal source of fascination for us I suppose.And with good reason.I mean, it makes for such a good story, doesn’t it?Glen Goei’s version of it was BRILLIANT!I absolutely adored the cinematography. Many scenes were postcard-perfect and the stills could be sold as prints or something. I’d buy them and hang it on my wall (I’m referring of course to the stunning scenery, not the one with blood everywhere, although I know folks who’d buy those.) However, the banana trees were a bit of an overkill honestly. The various techniques of foreshadowing were very well done too. And it helped me figure out when I was prepared to be scared silly. Although sometimes it was a red herring. Which I must admit, was pretty fun too.
At the risk of sounding terribly superficial, the actors were very, very good-looking. I loved the two brothers. Especially Reza. Dashing guy. My friend said many people commented that Nur Fazura was too pretty to be a Pontianak but I guess you can’t please everyone. I thought she was excellent playing the titular role. Fantastic acting.Although the shirtless scene by the very hunky Remy Ishak kinda surprised me a little, it reminded me of the ones in both “Crazy Rich Asians” (opening scene of Pierre Png and middle of the movie of Henry Golding) and the most recent one of Brad Pitt in “Once Upon a Time in Hollywood”. I suppose shirtless scenes with well built guys are de rigueur in the 21st century, but nobody’s complaining. You can always hear the collective, appreciative sigh in the theatres when they appear.Anyway, back to the story, it’s set in a kampung in Malaysia in 1965 opening with a wedding and barely a couple of minutes into the show, the Pontianak appeared. I was shocked that it came out so quickly, and she appeared so frequently throughout that I was exhausted from the adrenaline overload at the end of the movie.Oh I almost forgot to mention: I loved her red kebaya and hairdo too. Lovely stuff. So elegant.But so very, very bloodthirsty was she.
Why the Pontianak is my new heroSo the thing is, in every movie, there’s always a good guy, and a bad guy.Initially, we are primed to believe that the Pontianak is the bad guy.She appears during a wedding at the beginning of the movie, murders a friend of the bridegroom, then hangs him on top of the tallest tree in the kampung, with his blood splattered all over the newlyweds’ front porch.This causes the villagers to think that it’s the fault of the bride who’s marrying into the family.They harass her to no end, (kinda like Twitter sometimes, when a tweet is taken out of context, but I digress) and I really felt for the poor girl.But as the movie unfolds, you begin to realise that the Pontianak’s actually the good guy and not the bad guy.(I did like how the tension was kept throughout and how the backstory wasn’t immediately revealed to us, but only bit by bit, unlike the regular Hollywood blockbuster.)So what happened was that the Pontianak died a wrongful death in this show, being murdered by the father of her child, just because he wasn’t prepared to be a parent.She returned to get back at him, his brother and another friend who’d assisted him (They’d originally wanted to send her for an abortion but she didn’t want to, escaped from the car mid-journey and they chased her and in the forest, the main character killed her.)And what’s most amazing to me was, even though a mob of the fittest and most courageous male villagers went hunting her down with sticks and torches, she took them out one by one.“Hell hath no fury…” goes the saying.I felt like the show gave power back to the Pontianak.She epitomizes how in a patriarchal society, where she was forced to go for an abortion without her consent, murdered, and then buried in secret, that she was taking back control into her own hands.It’s about justice really.
The weak woman versus the strong womanAnd what’s most interesting to me was that, even though dozens of men could not kill her, it was the love of her child that made her decide to hand over the nail (that would kill her) to the boy’s new mother, and willingly submitted to be destroyed.(The white kebaya at the end with blood all over it, contrasted with the innocent boy actor, was a fantastic touch. The blood naturally coming from her killing off all the men who were baying for her blood of course.)But the handing over of power from one strong female to another was very poignant.Power, in this case, did not lie with any of the male figures. Neither the bomoh (witch doctor) nor the village head could do anything about the Pontianak.She was that powerful.Completely random sidebar: This reminds me of when an 8-year-old boy recently told me that his favourite Marvel character was Captain Marvel because she is the most powerful one out of all of the superheroes.The fact that at the end of the movie, the Pontianak was, in a sense, giving back the boy’s new stepmom, a new chance at life, was very impactful to me.See, the villagers all hated her because she thought that her entry to the kampung was the thing that brought a curse upon them all.They were just about to kill her when her husband entered the scene and confessed to his crimes and that it was his fault that the Pontianak was causing trouble to them all.In the very last scene where it fades out before she nails the Pontianak, we realise that if she comes back as the hero, even as a single mom, she’ll be supported by the entire village instead of almost being lynched by them the night before. For she’d have succeeded in doing what all the men died trying to do. (Of course that’s just speculation on my part.)So what was fascinating was that throughout the movie, there was a stark contrast between the strong woman (the Pontianak), and the weak one (the new stepmom).But in the end, it was the former that gave power to the latter to end her (undead) life.I guess it just reminded me that we should all help one another, instead of trying to tear each other down all the time, which sometimes, unfortunately, happens.
Referencing current events where women took controlIn light of the #MeToo movement and recent happenings in Singapore where Monica Baey was actually vilified for naming her perpetrator, I thought this was an excellent movie to remind us girls that we can take control of our situations, and even if it doesn’t blow up like these two incidents did, that we do not have to let the patriarchy oppress us.I mean, look at NUS, it had a track record of 26 incidents of sexual offenses over the past 3 years with no expulsions, which is very troubling, to say the least. (And these are just the cases reported, who knows how many more have kept silent?)The Monica Baey incident only blew up because of her deft use of social media and it was only a matter of time because it had happened too many times before in NUS but was never dealt with properly. This is because the people in power decided that the male students should be given a chance at rehabilitation, ignoring not only the distress of the victims, but also the fact that more female students on campus could potentially be victims of these very same men.I honestly wonder if any of the those on the board might have read research papers on recidivism rates on sexual offenders.
The good girl versus the bad girlIt doesn’t pay to be the good girl all the time, does it?Just look at how the new bride tried to do her best but kept getting shot down.But how amazing the Pontianak was in her full glory.And it’s also probably how a lot of women feel too.Too often we’ve been told we’re too loud.Or too meek.We need to be good.We need to hide our feelings (especially as Asians).Well, like Elsa and the Pontianak, I’m learning to let go of all of that.We should be letting go of society’s outdated and misogynistic preconceived notions of what a good girl ought to do and embracing all of who God has made us to be, unleashing our full glory unto the world.And the world will be better for it.
In conclusionPontianaks are awesome.A Pontianak, to me, is a figure that symbolises female empowerment and I’m all for it.P.S Thank you Alfian Sa’at for the translation of the movie to English so that I can appreciate the horror just that much more with the subtitles.Also, dear readers, thank you for reading this far, as a bonus, here are two research papers on the Pontianak I’m currently reading for fun, for those who might be interested:
[*]Pontianaks, Ghosts and the Possessed: Female Monstrosity and National Anxiety in Singapore Cinema by Kenneth Paul Tan
[*]The Villainous Pontianak? Examining Gender, Culture and Power in Malaysian Horror Films by Adrian Yuen Beng Lee
plot yang berterabur
30 minit awal, scene ke scene yang tak tentu hujung pangkal
lepas flash back baru nampak apa ceritanya
pelakon pelakon hebat tapi tidak digunakan sepenuhnya, contohnya ambil wan hanafi su setakat beri watak ketua kampung panggil orang kampung cari pontianak baik ambil extra biasa je...
skrip yang lemah. siti kejap panggil khalid kejap panggil abang. tak konsisten dan subtitle yang amat lah lemah sekali
penelitian yang tak teliti.. siti waktu makan malam di rumah bergaya macam nak gi makan dinner dengan perdana menteri. tingkap rumah yang terbuka sepanjang malam seluruh rumah. nyamuk tak masuk ke khalid oi...
watak pontianak yang dah mati, tapi fizikalnya macam jasad manusia yang masih hidup.
dan banyak lagilah.....
amat mengecewakan
0.5 bintang je
No bad. Congratulations team Dendam Pontianak.
https://www.instagram.com/p/B2gag_sFaXz/
nasib ada fazura gan remy untuk tatapan mata
jalan cerita...hampaaaaa
ya rabbi..menyesal aku tgk.tak best langsungggggggg ok
dah la pelakon sume mcm harom
abnagggg abangggggg abangggggg
mcm bangang je sesekor
takyah la kome tgk cite ni
x best lgsg
budakpink replied at 31-8-2019 03:49 AM
Barisan pelakon terbaik tapi aku mls betul nk tgok cite hantu sebab cite seram ni akn mganggu otak s ...
takyah tgk la uols
hampeh sgt film ni
another film yg bakal flop
jalan citer ntah hapa2 ..plot x kemas
dialog pun merepek2
AnBulisia replied at 17-9-2019 03:37 PM
plot yang berterabur
30 minit awal, scene ke scene yang tak tentu hujung pangkal
lepas flash back...
Apasai jadi cmni erk.. Penuh bad reviews..yg pelik dlm ni pelakon hampir semua A.. Cmne leh acep naskah mcm ni. Dieorg pun x aspec begini hasilnye kot
....pengarah cina x reti mengarah kot....mebi dia dok mengarah drama cina pukul 6 petang kat stesen TV sana... :lol: drp reviews hampa ni aku rasa seram lagi baca buku Singapore True Ghost Stories...aku ada koleksi weh...sampai ke vol 8 lagik... :lol:
budakpink replied at 17-9-2019 09:25 PM
Apasai jadi cmni erk.. Penuh bad reviews..yg pelik dlm ni pelakon hampir semua A.. Cmne leh acep n ...
payment besar aku rasa...
tu yang diorang terima tu
Tapi peminat fazura semua puji weiiii cerita ni sampai ada yang tengok dua kali..pastu kawan aku p tengok pun dia rasa tak best..so aku confuse...org dalam IG fazura fake ke? ekekekekkee
skrip yang buat i gelak mengilai mengalahkan pontianak kat dalam cinema..
"cik ponnn telah sampai ke kampung kita.." lebih kurang macam tu lah skrip dia..
adoiii.. apasal la cakap "cik ponn.."cakap la pontianak dah masuk kampung..
n yes, i pergi tengok sebab d way they promote this movie macam promising laa.. sekali, hmmmm...
baru tengok tadi. tak best. jln cerita ntah pape. iols mmg fans citer seram. tp filem ni sgt la mengecewakan. sape yg tulis skrip ni. teruk sgt jln cerita. blum lagi scene pajura tetek tinggi masa nk tikam khalid. buruk la tetek tu. nmpk pajura mcm badang.
LinguaFranca replied at 6-9-2019 12:53 PM
https://stail.my/cerita/budaya/dendam-pontianak-review-fazura-remy/
#REVIEW DENDAM PONTIANAK, DENDA ...
nape nk tggu 9 tahun baru nk rindu kt anak? sblum 9 tahun tu buat apa? ntah pape jln cerita
bettyboops replied at 18-9-2019 04:14 PM
skrip yang buat i gelak mengilai mengalahkan pontianak kat dalam cinema..
"cik ponnn telah sampai ...
hahaha ini kelakar:lol::lol::lol:
bettyboops replied at 18-9-2019 04:14 PM
skrip yang buat i gelak mengilai mengalahkan pontianak kat dalam cinema..
"cik ponnn telah sampai ...
Hahhaah gelak iols dialog cik pon tu
AnBulisia replied at 17-9-2019 03:37 PM
plot yang berterabur
30 minit awal, scene ke scene yang tak tentu hujung pangkal
lepas flash back...
Adoii semua review tak best sayangnyaaa laaa, emm tunggu kat tv jelaa tu pun kalau ade rasa nk tgk