Lian

rimau_manja

Lian adalah seni beladiri yg berasal dari China, tetapi telah lama menjadi permainan orang Melayu. Lian yg juga dikenali sebagai Buah Pukul adalah seni beladiri yg berkonsepkan "attack", bukan "defend". Terbahagi kepada pelbagai aliran seperti Buah Pukul Mersing, Silat Gayang Lima, Gerak Silat Lian, Silat Lian Yunan, dan Lian Padukan. Di bawah ni aku paste artikel dari wikipedia berkenaan beberapa aliran lian:

LIAN PADUKAN

Lian Padukan adalah sejenis seni beladiri yang berasal dari Yunnan, China. Ia dibawa ke Singapura oleh seorang pedagang Arab dari Yunan bernama Syed Abdul Rahman Yunani pada kurun ke-18. Beliau berketurunan Saidina Semaun Al-Radzi, pengasas sebenar aliran Buah Pukul yang kini masyhur di selatan Semenanjung Malaysia.

Dalam sejarah, tercatat satu insiden di pelabuhan Singapura di mana Syed Abdul Rahman bertempur dengan 8 orang penarik lanca akibat perselisihan faham. Akhirnya, Syed Abdul Rahman dengan mudahnya mengalahkan mereka.

Berita itu sampai ke pengetahuan Sultan Ibrahim, sultan Johor ketika itu, lalu baginda menitahkan pengawal peribadinya Datuk Awang bin Ali (Awang Daik) untuk ‘menyiasat’ kehebatan Syed Abdul Rahman. Menurut firasat Awang Daik pula, beliau tidak mampu menewaskan Syed Abdul Rahman berseorangan, lalu beliau meminta izin dari sultan untuk membawa sahabatnya, Pak Long Muhammad Yasin Yunus yang merupakan Ketua Polis Muar ketika itu.

Ketika kedua-duanya bertemu dengan pedagang Arab itu, dan setelah berkali-kali diumpan menunjukkan kebolehannya, Syed Abdul Rahman terpaksa bertempur dengan mereka. Akhirnya, kedua-duanya Awang Daik dan Pak Long tewas di tangan Syed Abdul Rahman. Untuk menebus kekalahan mereka, Sultan Ibrahim menitahkan agar kedua-dua pendekar Johor itu berguru dengan Syed Abdul Rahman Yunani.

Ketika itu, Stamford Raffles tidak membenarkan apa jua seni beladiri dipelajari di Singapura, maka Syed Abdul Rahman dijemput mengajar di Mersing, Johor, di mana Awang Daik merupakan Pesuruhjaya Tinggi daerah itu.

Mulai saat itulah, kaedah beladiri itu dikenali sebagai Buah Pukul Mersing, di mana banyak dari golongan kerabat diraja, bangsawan dan pendekar yang turut sama menuntut. Antara orang yang mempelajari seni ini adalah Isa Sulaiman dan Yaakob Tera dan dikembangkan lagi kepada Pak Teh Muhammad Yasin bin Kubong, seorang anak watan Mersing.

Kemudian, seni ini diperturunkan kepada Abdul Rahman bin Awang Chik (Cu Aman) yang mewariskannya kepada Mohamed bin Chik (Pak Mat Kedidi).

Sumber:
http://ms.wikipedia.org/wiki/Lian_Padukan

tak lengkap lak artikel wikipedia ni, meh aku tambah sikit :

Pak Mat Kedidi memasukkan elemen Silat dan Tomoi ke dalam Buah Pukul Mersing, hasilnya lahirlah Lian Padukan. Lian Padukan adalah Buah Pukul Mersing yg dimasukkan elemen2 Silat dan Tomoi, tetapi terasnya tetap Lian/Buah Pukul Mersing. Dalam satu dokumentari lama, Pak Mat Kedidi kata nama Buah Pukul tu tak begitu sedap, pukul, pukul, tak berapa sedap sangat  jadi diubahla kepada Lian Padukan. Beliau juga memberitahu maksud Lian Padukan iaitu Lian itu permainan manakala Padukan tu asalnya "pukulan campur aduk", dan kebetulan juga maknanya " Pada ALLAH Diserahkan Untuk Keselamatan Anda". Ni berdasarkan pemahaman aku terhadap kata2 beliau dalam dokumentari tersebut.

Seni Lian mirip dengan kungfu Wing Chun. Tetapi Wing Chun dari perempuan, manakala Lian pula dari lelaki. Berdasarkan maklumat dari laman web rasmi Lian Padukan (tak dapat buka plak tadi ), Lian Padukan menyerang menggunakan tangan, siku, kaki dan lutut. Apabila seseorang pengamal Lian Padukan itu benar2 faham dengan konsep Lian Padukan, dia mampu mencipta gaya berlawannya sendiri. Yg bestnya aku tgok Lian Padukan ni senang je nak jatuhkan orang, serang punya serang tup2 dah jatuh, kejap je. Tapi aku percaya bukan Lian Padukan je, aliran lian yg lain pun mcm tu.



GERAK SILAT LIAN

Gerak Silat Lian adalah sejenis cara mempertahankan diri yang berasal dari Yunnan. Nama asal persilatan ini ialah Lian Yunnan, Buah Pukul Mersing, atau Lian 13. Ia telah mula bertapak di Tanah Melayu dengan dibawa oleh Syed Abdul Rahman pada Februari 1897 di Bandar Maharani, Muar, Johor.

Gerak Silat Lian ini dikembangkan di Kuantan, Pahang oleh Nazri Bin Hussin, di mana beliau telah mempelajari silat ini daripada Salleh Bin Mamat yang berasal dari Kampung Ibai, Kuala Terangganu, dan tinggal di Kampung Tanjung Api, Kuantan, Pahang.

Salleh Bin Mamat telah mempelajari Silat Lian daripada Hassan Bin Salleh di Kampung Mengambang, Telipot, Kuala Terengganu dalam tahun 1950-an. Hassan Bin Salleh pula telah belajar Silat Lian di Kampung Belimbing Juling, Endau, Johor daripada Ali Bin Kassim dalam tahun 1940-an.

Nazri Bin Hussin mula belajar silat ini pada tahun 1964 di Kampung Tanjung Api, Kuantan, Pahang. Beliau juga sempat mengambil ketetapan gerak laku Silat Lian daripada Ali Bin Kassim dalam tahun 1986 hingga 1987

Nazri bin Hussin telah di iktiraf sebagai Pembantu Gelanggang (Guru Kake) pada tahun 1965 hingga 1985 sebelum dilantik sebagai Guru Kanan dan Guru Utama. Pusat perkembangan dan pentadbiran silat ini adalah di Kuantan, Pahang. Silat ini telah didaftarkan secara rasmi pada 19 Disember 1996 dan kenali dengan nama Pertubuhan Gerak Silat Lian Malaysia ( PGSLM ).

Sumber:
http://ms.wikipedia.org/wiki/Gerak_Silat_Lian

[ Last edited by  amazed at 9-2-2009 09:28 PM ]

tdpp2006

http://silat-melayu.blogspot.com/2007_09_01_archive.html

24 September 2007
Buah Pukul & Lian Yunan
A few comments here about Buah Pukul. In Malaysia, Gayang 5, LianPadukan, Silat Awang Daik, Gerak Silat Lian and many more fall under the category of Buah Pukul which has been variously defined as Shield and Strike or Striking Techniques or just Striking.

The name Buah Pukul is used exclusively when speaking of a root style taught by a Chinese trader who came to Singapura in 1897. He is known by various names, but the most common is Abdul Rahman Al-Yunani with some later practitioners claiming him to be of Chinese-Arab descent (even a descendant of the Holy Prophet Muhammad, PBUH).

Some even add on the title of Sheikh, claiming him to be a Muslim missionary. His skills (and successful defence against Singapura dock workers who tried to fleece him) caught the ear of Sultan Ibrahim of Johor. The Sultan ordered his personal bodyguard, the then High Commissioner of the Mersing district, Awang Daik, to investigate the incident and maybe even court the trader to teach.

Sensing his skills incapable of testing Abdul Rahman's own, he asked that a friend, Pak Long Muhammad Yassin, the Muar Chief of Police to accompany him. In a friendly contest, both of them conceded defeat and managed to persuade Abdul Rahman to come to Johor to teach. It was there that Awang Daik and Pak Long Muhammad Yassin became masters of the style. In Buah Pukul lore, Abdul Rahman disappeared soon after, never to be heard of again.

Meanwhile, Awang Daik and Pak Long Muhammad Yassin modified the style with their own expertise. Awang Daik was himself a Sunting man and Pak Long a Sendeng man.

Buah Pukul was then taught to the Sultan's personal army (Johor used to have its own army separate from the Malaysian Armed Forces up until the the turn of this century) and flourished. To this day, there are still remnants of these army folk who pass on the knowledge and their particular blends to their families and students.

In the palace, Buah Pukul was known as Lian Paduka or Royal Lian, but the art filtered outwards to the kampungs by way of Awang Daik's students and gained names such as Gayang 5, migrated to Pahang, and called Gerak Silat Lian, etc.

One of the more prominent Buah Pukul is LianPadukan [http://silatmelayu.com/modules.p ... =article&sid=23 you have to register as a free member to read this article] which has made strides away from the original Buah Pukul, including incorporating a left side lead and connection to the right side lead and a simplification of the 99 Lian forms into 16 core ones.

In Sabah and Sarawak, there is a particular pukulan style called Silat Spring (sometimes Sapring, or Sepiring) which resembles Buah Pukul. Recently, we had an interesting lead when AB Rahim, one of our research team members posted there, reported that Spring lore tells of a Chinese Muslim merchant named Abdul Rahman Abdullah who came to Sarawak and spread the art. So maybe he didn't 'disappear' as we all thought. We haven't nailed down any chronologies yet but we hope to soon and publish our findings in SMC (SilatMelayu. Com).

The most interesting part is that AB Rahim was himself an intermediate student of LianPadukan and he reportedthat what he saw in Spring is reminiscent of the old Buah Pukul forms, a continuous fist rolling that only exists in LianPadukan as a three-strike barrage. The inquiry is ongoing.

Now, as for Lian Yunan, although some Buah Pukul practitioners use this term for their own variants, I personally know of one strain that claims no descent from Buah Pukul.This Lian Yunan comes from Melaka and was last taught by a Salleh Chik (nee Soh Ah Chee) to Pak Anwar (full name unknown to me).

It is claimed to originate from one of Hang Li Po's bodyguard entourage (she was a 'princess' bride from China for the Malaccan sultan, although some people dispute her royalty for lack of records). Having seen and practised slightly both LianPadukan and this Lian Yunan, I can personally say the difference in method and technique is vastly different.

However, when I described Lian Yunan to LianPadukan guru utama Mohd Hasyim Mohd Salleh of LianPadukan, he seemed pleasantly surprised, saying that that was a really old form of Lian, which he thought did not exist anymore. Curiouser and curiouser.

tdpp2006

http://silat-melayu.blogspot.com/2007_09_01_archive.html

09 September 2007
Silat LianPadukan and Silat Spring link?
Recently, Galohajang, a regular visitor to this blog sent me this comment:

"I have encountered 1 Silat Spring 12@Pukulan 12 when I was young and what was demonstrated to me was similar to those buah of Lian Padukan and Gayang Lima which I viewed in youtube. There's an article of this silat in Pendekar or Seni Beladiri I couldnt recall which but being a writer in SB back then, have you stumble upon/got the chance to interview the practitioners of this system? If yes, do the share the same principles? I'd like very much to know whether LP, G5 and S12 share the same history. Thank you"

Well Galohajang, as far as the Buah Pukul people are concerned, both LianPadukan and Gayang Lima come from the same root, which is Awang Daik, the Mersing magistrate who first studied the art in 1897 from a Chinese Muslim businessman from Yunan named Sheikh Abdul Rahman al-Yunani.

However, there is nothing to prove a connection between Spring 12 and Buah Pukul, except that there is apparently a common master in both lineages.A friend of mine who has studied LianPadukan is currently posted in Sarawak and is intending to learn Spring 12 soon.

In his talks with a Spring 12 instructor, he found that the claimed founder of Spring 12, a Chinese Muslim missionary, Abdul Rahman Abdullah was a close copy of LianPadukan's Sheikh Abdul Rahman.

According to LianPadukan history, Sheikh Abdul Rahman 'disappeared' after he trained the warriors at the Johor palace. If we are to draw a conclusion now, it could be that he moved on to Sarawak. However, until we have further proof, this is all we have to go on.

My Sarawakian-posted LianPadukan friend also noted that what exists in Spring 12 now greatly mirrors the original Buah Pukul whereby the rolling fists 'gulung' are released in a continuous barrage whereby the 'gulung' in LianPadukan is most often truncated to three 'gulung'. Add this to the fact that in LianPadukan, there is a form called 'Lian Gulung' and you have all the elements of a good mystery.

Maybe all we need to do is for the LianPadukan folk organise and official friendly visit to Spring 12 in Sarawak to compare notes, and maybe, even a few 'gulung'

tdpp2006

http://silat-melayu.blogspot.com/2007_09_01_archive.html

10 September 2007
New link between Sendeng and Spring
After we reported the controversial possible link between Silat Spring in Sarawak and Silat LianPadukan in Johor, a possible link has been hinted between Silat Spring and Sendeng, also of Johor.

I received today news from our fellow Silat Melayu researcher, AB Rahim that after several months of studying Silat Spring, he has found remarkable similarities with Silat Sendeng. He reported that:

"The method and techniques in (silat) Spring is exactly like Sendeng. The only thing missing is the Kuntau aspect. The 7 Hari Belebat taught by cikgu Jamal(udin Shahadan), all of them are in the Spring techniques... There are only 11 techniques altogether..."

The missing aspect referred to, Kuntau, makes sense from an evolution point of view since original Sendeng always fought of the lead and never square. It was only introduced by the late Mahaguru Abdul Hamid Hamzah, founder of Silat Sendeng Muar (now known as Sendeng Malaysia) as a complementary element in the training.

This fits in well with what Dr Jean-Marc DeGraves of France has uncovered in his travels throughout Kalimantan and Sulawesi. In his research, he claims that the Bugis did not create Sendeng, but adapted it from a style found in Kalimantan. The original style too fought only off the lead.

Mohd Nadzrin Wahab

karambunai

mana pic2 nyer... salah edit kot korang ni...

tdpp2006

bukan salah edit tapi x reti hehe

rimau_manja

video Lian Padukan:

http://www.youtube.com/watch?v=L8_Jd1folfs

http://www.youtube.com/watch?v=aT5G0qR4Tko

alangkah indahnya seni yg dipaparkan. i wish i can learn it one day..

selendangmerah

askum..

hampa ada baca x majalah SB yg baru..

guru lian ada sorang meningggal..

aku x ingat nama dia..

cuba check tgk..

tracker

video Lian Padukan:

http://www.youtube.com/watch?v=L8_Jd1folfs

http://www.youtube.com/watch?v=aT5G0qR4Tko

alangkah indahnya seni yg dipaparkan. i wish i can learn it one day..
rimau_manja Post at 25-8-2009 20:17

banyak ader grup2 lian aka buah pukul ni.kat Puchong ada gerak lian,gombak ada lian padukan,tmn melawati ada gayang lima.

mamajiha

skarang ni PGSLM dah mengorak langkah lebih jauh..... di Jerman, ada pengajar silat ni yang merupakan murid kepada en. Nazri b. Hussin (Pok Yie).
Pok Yie pun skrang ni aktif di Kuantan.....

Awglalok

lian kt johor ade tak

myra316

Ada beberapa gelanggang Lian kat KL dan Sgor.

turboturtle

sesape duk area kuantan nak belajar silat lian, bulan 1 tahun depan ada pengambilan murid baru. 1.1.2012
sila contact:
Nazri Hussin
09-5665092

te_peng

Di Terengganu dikenali dengan nama Buku Belebat atau Lian 12. Ikut susur galur berasal dari Tok Mat Perpat berasal dari Pulau Jemaja datang ke Singapura. Beliau belajar dengan Syed Abdul Rahman Yunan di Pulau Jemaja. Dalam sparing beliau berlawan guna Silat Bukku Belebat lawan dengan Lian Yunan akhirnya tewas dan berguru dengan Syed. Syed Abdul Rahman pula belajar lian di Yunan yang bersusur galur sampai Maharaja Zainal Abidin raja Islam di Yunan - mati kerana diracun kerana tiada cara lagi nak membunuhnya kerana mahir dalam beladiri.


Datang anak raja dari Terengganu belajar ke Singapura bernama Tengku Jaafar. Ada seorang lagi dari Terengganu bernama Pak Da. Tengku Jaafar kalah sparing dengan anak perempuan Tok Perpat lalu balik Terengganu kerana malu. Setelah selesai Pak Da belajar di Singapura Tok Mat Perpat suruh Pak Da cari Tengku Jaafar panggil balik ke Singapura bagi khatam lian.


Akhirnya sekarang di Terengganu kalau orang main ... akan ditanya ni Lian Tengku Jaafar ke Lian Pak Da? Lian Pak Da banyak main di Dungun, Lian Tengku Jaafar banyak main di Terengganu.


Saya pula belajar dari Pok Liah (mainan lian jalur Tengku Jaafar) darinya katanya ada mewarisi kitab Lian asal yang diwarisi dari abang ipar dia di Seberang Takir. Ada kisah perebutan dan pergaduhan dalam susur galur Lian Ganu sampai bertikam2, testing dan mcm2 seperti kisah seorang pendekar lian bertarung dengan mat tomoi di Bukit Besi Dungun ... tu kisah zaman dulu2.


Sekarang guru kami Pok Liah dah uzur kerana stroke. Ada cerita dari kawan2 lama lian sampaikan pesan Pok Liah suruh saf2 lama taut balik dan giat balik dalam lian. Dari mainan lian orang Ganu kiranya ada dua satu belebat seperti buah pukul dan mainan lian gerak tari semacam  wushu iaitu seni beladari yunan.