dauswq replied at 3-9-2018 12:55 PM
dua filem nicole kidman tahun ni bertanding kat venice kan?
katanya boy erased tak berapa bagu ...
2 filem nicola x bertanding kat Venice
tapi ditayangkan di Festival Filem Telluride...
Festival Venice dah selesai
Festival Telluride dah hampir selesai
Toronto international filem festival pula akan menyusul jumaat ni pembukaan
Suspiria nampak menarik dan cantik persembahan ...
tapi dari segi kualiti lakonan kurang kot..rasanya filem suspiria kalau tercalon kot maybe untuk makeup dan cinematography..
so far aku x sabar nak tunggu nak tgok suspiria..
mat_arof replied at 3-9-2018 05:06 PM
2 filem nicola x bertanding kat Venice
tapi ditayangkan di Festival Filem Telluride...
natalie portman ade gak filem muzikal..
0cgcm5x-jtw
Pengkritik pun suka masa tayangan perdana di Venice
So far, org puji lakonannya adalah anti kepada lady gaga dlm a star is born
Celeste is a cross between goth and glam, and Portman holds nothing back in a histrionic performance that sees a damaged woman teetering on the brink of collapse. She shouts, curses, drinks wine from a plastic cup, and snorts who knows what off a table; occasionally she even finds time to perform, but not before being hounded by the press over her many misdeeds. Portman is fearless, going all out in a role that requires nothing less.
bakal neck and neck lagi lah top 5 contender best actress tahun ni :L
klu portman dapat nomination, ini kali ke-4 la kan?
closer, black swan dan jackie.
Top Best Actress (predictions) - UPDATED
1. Lady Gaga
2. Olivia Colman
3. Tony Collete
4. Glenn Close
5. Natalie Portman
6. Keira Knightley / Charlez Theron / Viola Davis
mat_arof replied at 3-9-2018 05:06 PM
2 filem nicola x bertanding kat Venice
tapi ditayangkan di Festival Filem Telluride...
nicole kidman dh boleh dilupakan lah kot .. :lol:
mohon bawa wtk pompuan garit naik kelab dlm molin rouge sekali lagi :lol:
Edited by dauswq at 9-9-2018 05:44 PM
Olivia Colman menang Volpi Cup Best Actress (Venice Film Festival)
William Dafoe menang Volpi Cup Best Actor (Venice Film Festival)
dauswq replied at 9-9-2018 05:36 PM
Olivia Colman menang Volpi Cup Best Actress (Venice Film Festival)
William Dafoe menang Volpi Cup B ...
tahniah...
tapi takut juga kalau kalau menerima nasib seperti Julianne Moore (far From heaven) ...menang di Venice....
tapi kalai Di GG , BAFTA SAG & OSCAR
Olivia Colman, Lady Gaga, Toni Collette mcm dah locked.
lagi 2 spot mungkin dpt kan Melissa McCarrthy and Glenn Close.
dengar-dengar ade yg nak push emma thompson utk best actress
mgkn slot ni akan disaingi antara glenn close & emma thompson
jarang dgrperformance emma thompson ni , even role dia menang best actress pd thn 1992 tu pun tak diperkatakan sgt..
kKQkUcJioxU
mat_arof replied at 10-9-2018 05:14 PM
tahniah...
tapi takut juga kalau kalau menerima nasib seperti Julianne Moore (far From heav ...
emma stone rasanya the only volpi cup winner yg menang terus oscar dgn performance sama sejak 2000
rasenye olivia colman hanya tercalon saje kot..
maybe nk bg kat glenn close yg overdue ;P
dauswq replied at 11-9-2018 10:54 PM
emma stone rasanya the only volpi cup winner yg menang terus oscar dgn performance sama sejak 2000 ...
atau mungkin Olivia di pindahkan ke Supporting...so far tahun ni Supoorting Role actress sangat sengit..
Natalie Portman pun dah mula nak kempen untuk Supporting Role...
wahh tahun ni saingan sengit untuk Suporting Role actress..
‘Widows’ Review: Steve McQueen’s Riveting Heist Movie Is ‘Ocean’s Eight’ With a Dragon Tattoo — TIFF
Viola Davis gives a commanding performance in McQueen's first genuinely commercial movie, a #MeToo revenge story with a Black Lives Matter backbone.
https://www.indiewire.com/wp-content/uploads/2018/08/widows_02.jpg?w=780
“Widows”
http://www.indiewire.com/wp-content/uploads/2016/12/criticspick.png
A visual artist whose movies have dealt with starvation, sex addiction, and slavery, Steve McQueen has never been considered a safe commercial bet. That just makes “Widows,” his bracing, moody heist thriller about women who finish the robbery their husbands started, all the more satisfying: McQueen has made a first-rate genre exercise that doubles as a treatise on race and gender, juggling dramatic payoff with heavier themes. “Widows” embraces its trashy, melodramatic twists while deepening their potential. If all escapism looked like this, America would be smart again.
With an aesthetic that merges the blithe energy of “Ocean’s Eight” with the griminess of “The Girl With the Dragon Tattoo,” McQueen adapts the ‘80s British TV series into a gritty Chicago crime saga, weaving a handful of characters into a web of corruption that threatens them all. In a dynamic opening sequence, several robbers lead by the fast-talking Harry (Liam Neeson) speed through the city with the police on their tail; the chase ends at a garage, with bloody gunfire and an abrupt explosion that leaves all of their wives grieving. McQueen’s swift visual style takes hold early on, as he cuts from the fiery death scene to the somber image of Harry’s wife Veronica (Viola Davis) mournfully gazing at the empty side of her bed.
“Widows” largely belongs to Davis, whose character steps into her husband’s shoes when every other option runs out. The actress has never been more commanding: Veronica’s a stern, driven woman, but even she’s unprepared when local criminal Jamal (Brian Tyree Henry) bursts into her palatial apartment one night demanding the money that her husband stole from him. He gives her a couple of weeks to deliver, and she finds a potential solution in one of husband’s old notebooks — details about a robbery the men never completed. Realizing that the other widows all face a similar comeuppance, she lures them to a sauna where she lays out the scheme. Davis clearly has a blast intimidating everyone in the room, and it’s notable that her plan isn’t optional: If they don’t play ball, they’re all screwed.
https://www.indiewire.com/wp-content/uploads/2018/07/widows-kaluuya-henry.jpg?w=780Daniel Kaluuya and Brian Tyree Henry in WIDOWS
Photo Credit: Courtesy TwentiethMcQueen, who wrote the screenplay with “Gone Girl” author Gillian Flynn, strikes an ironic and involving tone. Both playful and dead serious, “Widows” leaves you uncertain if the filmmaker is winking at the audience. Veronica’s plan might seem ludicrous, but her confidence endows the movie’s throbbing pace with purpose as her newfound partners bring their own determination to the scene. The bulk of McQueen’s cast receive sufficient backstory as this leisurely two-hour plus movie sets the main scheme in motion. Linda (Michelle Rodriguez, readymade for this kind of volatile material) realizes that she can’t keep her husband’s store going without paying off his debt, and finds herself adrift when his family cuts her off. The much younger Alice (Elizabeth Debicki) contends with the aftermath of a relationship that had sustained her entire lifestyle. Her crude mother (Jacki Weaver) suggests her daughter go into prostitution to pay for college. As always, the robbery gig holds the potential for a better tomorrow, but the stakes are grounded in real purpose.
McQueen assembles these storylines with a less-involving drama surrounding Jamal’s attempts to become the first African-American official elected as alderman for the 18th ward, unseating the Trump-like power broker Jack Mulligan (a frumpy Robert Duvall) who wants his politically minded son Tom (Colin Farrell) to take over the position. This Shakespearean struggle eventually relates back to the widows as they realize the target of their husband’s scheme was none other than Jack himself. By stealing money from the wealthiest white guy in town, they’re effectively influencing a bigger picture that could impact the future of the city itself.
It’s a fascinating premise that turns the fast-paced drama into a not-so-subtle allegory for class struggle, but whoever demanded subtlety from heist movies? It’s a blast to watch the women piece together their plan by visiting a shooting gallery, or seducing an unexpected target, or tracking down a getaway vehicle while arguing through their situation. With Veronica’s obedient dog in tow, the group doesn’t always agree about the best way forward, but they develop an engaging chemistry that gives them new reasons to stick together. No matter the stakes at hand, this is a movie as much about women trying to survive in a man’s world as it is a riveting crime saga.
https://www.indiewire.com/wp-content/uploads/2018/07/widows_0HERO.jpg?w=600“Widows”
McQueen kicks up the tension for the final showdown, in part by slowly developing one key threat in Jamal’s brother Jatemme (Daniel Kaluuya), a murderous psychopath who tracks down information with an eerie coolness that borders on pure movie monster. In one prolonged sequence, he stares down an insubordinate member of the criminal gang and forces him to freestyle as McQueen’s camera swirls around the pair, before Jatemme shoots the man in the head. Kaluuya barely moves his eyebrows. He moves through scenes with a terminator-like efficiency, calmly extracting information from his victims as they scream and bleed. It’s a world away from the baffled survivor that scored Kaluuya an Oscar nomination for “Get Out,” and further proof that this major screen talent is just getting started.
There’s so much to appreciate about “Widows” that it’s easy to shrug off some of the sillier moments: Alice talking an older woman into buying her guns, say, or a third-act reveal that savvy viewers saw coming 90 minutes earlier. Some of the blunt one-liners sound like they’ve been lifted from soap operas and arbitrarily chucked into individual scenes. (“We have a lot of work to do. Crying isn’t on the list!”) But McQueen’s such an involving filmmaker that these indulgences hardly matter. Working with his usual cinematographer Sean Bobbit, he injects each scene with a jittery naturalism imbued with constant urgency from Hans Zimmer’s score.
Ultimately, “Widows” works as well as it does due to the way McQueen juggles substance with entertainment value to such eager subversive ends. The movie engages with topics as complex as sexism, police brutality, and interracial marriage, but it still delivers on the car chases and gunplay. No superhero movie digs this deep. “Widows” doesn’t reach the lyrical heights of McQueen’s previous achievements, lacking the emotional depth of “12 Years a Slave” and the raw physicality of “Hunger” and “Shame,” but it’s a singular vision all the same. On some level, it feels like a plea for better studio product: It’s a #MeToo revenge story with a Black Lives Matter backbone, but nobody said a sharp polemic can’t also be a good time.
Grade: A-“Widows” premiered at the 2018 Toronto International Film Festival. 20th Century Fox releases it theatrically on November 16.
mat_arof replied at 12-9-2018 11:32 AM
atau mungkin Olivia di pindahkan ke Supporting...so far tahun ni Supoorting Role actress san ...
natalie portman fight supporting role utk filem ape?
vox lux tu bukan utk lead role?
top rotten tomatoes (critically acclaimed films)
1. Crazy Rich Asian - 93%
2. Vox Lux - 100%
3. IfBeale Street Could Talk - 94%
4. Widows - 96%
5. BlackkKlansman - 95%
6. A Star Is Born - 95%
7. Hereditary - 89%
8. Boy Erased - 93%
9. Beautiful Boy - 78%
10. The Favourite - 96%
dauswq replied at 12-9-2018 02:54 PM
natalie portman fight supporting role utk filem ape?
vox lux tu bukan utk lead role?
yup untuk Vox Lux sebab dia muncul dah pertengahan filem ..
so dia kempen untuk supporting Role
mat_arof replied at 12-9-2018 06:34 PM
yup untuk Vox Lux sebab dia muncul dah pertengahan filem ..
so dia kempen untuk supporting Role ...
oh okay
mgkn nak elak persaingan kuat dlm kategori best actress.
mcm strategi producer Danish Girl utk menangkan Alicia Vikander dgn letakkannya dlm kategori lebih mudah
competition kept getting tight and closer.
kali ni melissa mccarthy plak dpt rave reviews di toronto film festival ats lakonan di dlm Can You Ever Forgive Me?
UvJIaNsf_bY
makin terhimpit peluang acik glenn lose utk menarik nafas lega :lol:
@Rhyno
Top Best Actress (predictions) - UPDATED
1. Lady Gaga
2. Olivia Colman
3. Tony Collete
4. Mellisa Mccarthy
5. Glenn Close
6. Keira Knightley / Charlez Theron / Viola Davis /Emma Thompson
Edited by dauswq at 14-9-2018 06:31 PM
Top Best Supporting Actress (predictions) - UPDATED
1. Natalie Portman
2. Regina King
3. Clarie Foy
4. Rachel Weisz / Emma Stone (“The Favourite”)
5. Amy Adams
6. Michelle Yeoh / Lupita Nyong’o/ Cynthia Erivo / Vera Farmiga / Thomasin McKenzie
dauswq replied at 6-9-2018 02:24 PM
Top Best Actress (predictions) - UPDATED
1. Lady Gaga
How about Yalitza Aparicio in Roma? Maybe Felicity Jones (On the Basis of Sex) bakal menggugat the current frontrunners?